Moving Day

Been working last night and most of the morning getting everything loaded out of the house and into the truck for our epic journey five miles down the road. We're moving out of our 900 square foot box and into a much bigger, and nicer place in Pleasanton. This is currently the view from the webcam on my iMac, which sits in the garage/office/studio. Hopefully I'll be back online at the new place in a few days.

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Wordle

Fun random and rather educational internet toy: Wordle

It reads any patch of text, blog, website, whatever, and gives you back a graphic with your most used words. Words that are most used show up largest, less used are smaller, etc. Here's what's been in my blog recently:



Hmmmmmm.....

ISO is far and away my most used word (damn, I did it again!) followed closely by D700 and D200, along with "much". I don't say that much, do I? I see that light and shots make the b-list, and money is almost nonexistent. Hey, just like real life.... Gotta fix that. I'm gonna go wordle the strobist and see what we get.

Just as I expected. It's all about light.

Found in Ivan Makarov's excellent blog, IM Digital
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Vacation Pictures

How bad can it be to spend a week in a place that looks like this?

More pics after the jump.



The new portable traveling dog, Eddie. The full-size dog was traded in a few months ago.




Some flowers by the shore of Seneca Lake. Note the artsy vignetting. I didn't until it was too late. Need a thinner polarizer. Maybe I could crop it square and have a really expensive Holga.




My uncle, doing one of his favorite things in life, sitting at a campground surrounded by family.




Feet. I love feet. They say as much about a person as hands, sometimes.




My mom's new place. They're on the road full time, as of a few days ago!




Hi Mom! (Ya gotta look at me next time :-)




This one raised some questions. Like "Why the heck are you sticking your camera in the fire!?!?!"




You know what they say about a bad day fishing...




My little girl... this kid may look cute, but she's a fish killer!




More feet. Well, same feet, later in the week. My girl hates this picture, but I don't think she reads the blog. You never can tell with seven year olds these days.




Tupperware Archaeology.




D700, 50/1.4, and a campfire. What more do you need?
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Wedding in the dark

Picked up another second shooter gig off of craigslist for Saturday afternoon. I was hired just to shoot the ceremony by "My Perfect Day Media" a husband and wife video/photo team based out of Los Angeles. The money wasn't much, but I'm still in need of some better portfolio pictures, so I took it on.



The church was huge, and they were very specific about what they needed: a long-range shooter from the balcony in the back, a couple of wide shots with natural light, and whatever else I could come up with in an hour ceremony. The wide shots were easy, at 24mm on the D700, f/5 1/25th and around ISO 1600 to 2000. I tried a couple of different combinations for the longer shots, turns out the D200 with the 85/1.4 and the D700 with the Sigma 150 give me about the same images. The 700 shoots cleaner at higher ISO's, which makes up for the difference between the 1.4 and the 2.8. Ended up shooting the D200 wide and the D700 long, mostly around 1/80th wide open at ISO 2000-2500. Weird, and not at all what I expected, but it worked.



After the ceremony, I was able to get some nice portraits of the bridesmaids and flower girls, which will probably be my best payoff for the two hours or so I spent there. I hung around for the bride and groom making their departure, but the main photographers were all over the car like paparazzi, so I did what I could.



Good fun, and good practice, and a couple of good shots for the website.

And somebody hit my car while it was in the parking garage. Grrrrr


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Sigma 150/2.8 Macro

In lieu of the ubiquitous 70-200, I decided to go a different route for my fast telephoto needs, and after much research came up with the Sigma 150mm f/2.8 macro. Shutterbug Magazine did a review of it a while back, and had only good things to say. I personally like the fact that it has macro capability (full 1:1 with no extra attachments needed!) and that it's about half the size and less than half the cost of the 70-200. I've found this lens balances very, very well on the D700, and I've been able to handhold it down to about 1/60th with excellent results.

Downsides (after a few weeks use) seems to be a slower autofocus, especially in poor light, and the focus ring turns the opposite direction than Nikon lenses do, which is a bit counterintuitive when trying to tweak focus a bit, or get it in the right vicinity so the AF can do it's thing. After Saturday's wedding, I also think mine may front-focus a bit at long ranges. That, however, can be adjusted if necessary.

Pictures after the break..



Wedding, from the upper balcony of the church. 1/80th f/5, ISO 2200



Flower girl, natural light portrait outside the church. 1/160th f/3.0 ISO 200



David, portrait by camping lantern and glowstick. 1/25th f/3.2 ISO 3200



Pretty much my only macro shot so far. For size reference, the background is the knitting on a pink t-shirt. The whole pin is maybe 3/4" across. 1/1000th f/8, ISO 200



And a candid shot at the poker tournament yesterday. Shot with the D200 (so actually 225mm equivalent) 1/200th at f/4, ISO 400 with flashes on lightstands bounced off the ceiling from the corners of the room.





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In Memory of Mark

Got to break out the lights at last, after a couple of "available dark" gigs over the last few days. The event was "In Memory of Mark", a charity poker tournament, arranged to raise money for Mark's two year old daughter's college fund.

The event was fun, fast moving, and a pleasure to shoot. Indoors, outdoors, sometimes everything just works out perfectly. I felt for the first time that I had my kit dialed in, and was able to seamlessly shoot with both cameras and not have to fumble around with lenses, flashes, and whatnot.



Shot the D200 with the Sigma 150 for long portraits, candids from three tables away, isolating subjects from the crowd, etc, and the D700 with 24-70 as my all-purpose machine. With the lighting as good as it was, no problems at all with the D200 noise, and the 700 of course worked flawlessly.



I also used the LiveView several times, getting shots with the camera held high above me and out over a table, etc. Definitely better than point and hope, which is how you usually have to do these shots. Outside was a bit tougher, but something about an open bar gives you the courage to shoot at ISO 3200 and use your flashes from inside the building as a key light on your subjects.



Whoever designed the ceiling in the reception hall at Congregation Beth Am in Palo Alto clearly had photographers in mind. Best bounce conditions I've ever had the pleasure of shooting under. White painted, and low at the walls angling up to about 20' in the center, the inside of the hall acted like a giant parabolic reflector for light. Covered something like 1500 square feet with two strobes, and then covered it very well when the other photographer showed up with a pair of Sunpaks and two more lightstands. We had f/4 at ISO 400 throughout pretty much the whole room, and 5.6 if we were shooting a table near any of the four lights.



It got really fun once the tournament boiled down to one table, and we moved in even closer...


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Ninja Photography

Available Dark...

Answered a Craigslist ad early last week for a photographer to do a "shoot in low light, no flash condition, outdoors this Friday night" It looked interesting, and didn't pay a whole lot but I was intrigued by the idea. Turns out "low light" meant candle light and some white Christmas lights in nearby trees. Oh, and I had to remain absolutely unseen and unheard. The event? A marriage proposal on a wooded bluff above Baker's Beach in San Francisco.

I arrived about 7:30, and met the other guys setting this up. They were busy stringing the lights, and helped with a sound check...I was initially going to shoot wide, and fairly close, but the shutter was too loud, and the priority for the night was stealth, not quality of images. Obviously not my choice of compromises, but you take what you can get. The Sigma 150 was not going to help, because at that length there was no way I would be getting acceptable shutter speeds as the light fell.


Here's your light source, now get to work!

Talk about dark out there... I ended up with the 85/1.4 wide open, at ISO 6400, handholding the camera braced against the ground at about 1/5 to 1/10 of a second. Crazy dark. But the D700 did it's job admirably, coming up with some surprisingly acceptable images under these conditions.



Black hoodie, black pants, crawling around in the sand and bushes being a ninja... just another Friday night at Cycle 61 Photography :-)



Oh, and by the way, she said yes. And we were invited to come out of hiding and meet the happy couple. And I'm shooting their wedding. Like I said, just another boring Friday night...

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Vacation

It's been a great week, camping and fishing up here in the lakes of upstate New York. Back in gear next week, but it's been a very relaxing, and much needed break. More to come in a few days. Lots of big stuff going on.

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Seat without a view...

Chase Jarvis has his "Room without a view" series, I figured I could do the same. Sitting in Chicago International right now, after a quick and cloudy hop from San Francisco. We'll be on our way to Rochester NY in an hour or so, for a week of camping and hopefully some lifestyle and landscape shooting in upstate New York. In the meantime, enjoy the scenery!
Sent via BlackBerry by AT&T
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Time Machine

These images are under a Creative Commons License. Feel free to copy and distribute for non-commercial purposes.


Spent an afternoon in Oakland's DeFremery Park, somewhere back in 1969, as Angela Davis, a political activist on the FBI's most wanted list for her anti-war activities, gave her firey "Liberation of our People" speech to an eager crowd, gathered from all around.



Actually, this isn't Angela Davis, nor is it 1969. But for a few hours, it sure felt that way...


I generally avoid politics here, but when I saw an opportunity to get involved with Mark Tribe's Port Huron Project, I couldn't resist. It's a series of re-enactments of some of the most famous speeches from the late sixties by figures such as Angela Davis, Cesar Chavez, Coretta Scott King, and others.



The people involved in the project are amazingly dedicated to what they are doing, and their passion for this movement is clear. The problems our country faces today are frighteningly similar to those of forty years ago, and now, as then, there is a rising tide of discontent and voices that will not be silenced. Mark and his crew are using these bits of history to hold up a mirror to modern society, and to the people who would stand by and wonder when somebody's going to do something about it.






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